Kanye West adviser claims his masters are worth more than Taylor Swift's

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Kanye West launched a brand new social media marketing campaign to realize management of the rights to his recorded music and publishing on Monday night time, claiming “I am not placing no extra music out until I am performed with my contract[s]” together with his file firm, Common Music Group, and his writer, Sony/ATV Music Publishing.

He continued his efforts on Tuesday morning with one other battery of tweets — one in every of which incorporates a screenshot of a textual content from an unnamed adviser apparently claiming that West’s masters are value greater than Taylor Swift‘s.

The adviser writes that he and West can argue that Common and Sony Music, with whom West has longstanding recorded-music and publishing offers respectively, didn’t help him totally and might be sued for breach of contract, doubtlessly releasing him from his offers.

“We are able to argue that Common and Sony haven’t supported you totally,” the textual content reads. “And that because of this, they’ve breached [the contracts]. That is the lawsuit/ termination nuclear possibility.

“If we went that route we’d litigate and ask to your masters as a part of a settlement. That is excessive danger however excessive reward technique,” the message continues. “Re masters possession we are able to look into shopping for. But when Taylor’s price US$300 million (approx. $411 million) yours would price much more I assume. Keep in mind that when you re-recorded these songs you could possibly personal these new masters outright.”

The adviser is referencing the 2019 acquisition of Large Machine Data — which incorporates the rights to the grasp recordings of Taylor Swift’s first six albums — by Scooter Braun’s Ithaca Holdings for a reported US$300 million, in addition to Swift’s said plan to file new variations of these songs and thus create new grasp variations, devaluing the previous ones.

Kanye West and Taylor Swift onstage through the 2015 MTV Video Music Awards at Microsoft Theatre on August 30, 2015 in Los Angeles, California. (Getty)

That deal additionally included the masters of a number of different artists in addition to Swift’s — who is without doubt one of the most commercially profitable recordings artists in historical past — so the declare is questionable, if not patently false. The adviser then explores the potential for a three way partnership.

“A way more radical consideration can be to suggest a wholly new relationship or three way partnership with Common. One that’s equal and never one-sided. I’m not certain you have an interest in that. Nevertheless it might be a Yeezy Media/Common three way partnership play however one the place you’ve got the facility.”

Kanye West and Taylor Swift
Kanye West and Taylor Swift the 2009 MTV Video Music Awards at Radio Metropolis Music Corridor on September 13, 2009 in New York Metropolis. (Getty)

Whereas the phrases of West’s offers should not public, commonplace recording and music-publishing contracts usually don’t permit artists to withdraw from the offers each time they need.

West’s timing is probably not coincidental: Vivendi, Common Music’s dad or mum firm, held an investor assembly on the Goldman Sachs Communicopia convention on Tuesday morning.

Together with the textual content alternate, West tweeted, “Nobody from Common or Sony has responded so it is go time,” and later posted one other screenshot of a textual content from somebody claiming that a representative for Vivendi had reached out. An hour later, West posted that the preliminary cellphone name with the Vivendi govt “went nice … this was an ideal first dialog.”

READ MORE: Taylor Swift vs Kanye West: The full feud timeline

Kanye West
Kanye West is seen performing throughout a Shock World AIDS Day (Pink) live performance at Occasions Sq. on December 1, 2014 in New York Metropolis. (Getty)

Reps for West, Common and Sony didn’t instantly reply to Selection‘s requests for remark.

West has publicly said that he desires to get out of his label and publishing offers previously, and even sued the businesses in January of final 12 months. One go well with was towards EMI Music Publishing, with whom he signed in 2003 and which is now owned by Sony/ATV, and the opposite was towards the Common Music Group corporations Roc-a-Fella Data (the previously Jay-Z-owned file label that launched his early albums), Def Jam Data and UMG’s merchandising arm, Bravado.

Each corporations counter-sued just a few weeks later, and sources say the publishing go well with was settled for an undisclosed quantity final September — presumably with phrases extra beneficial to West. The Common litigation is ongoing.

Taylor chatting with Kimye on the 2015 Grammys. (WireImage)

Whereas West’s first a number of albums have all been licensed multi-platinum, his newer releases have met with much less industrial and demanding success. His most up-to-date albums Ye and Jesus Is King have been each licensed gold however have been uneven creatively; the latter album displays his flip towards Christian-based music, as does his delayed album Donda: With Little one, which West stated can be launched over the summer time however has not but materialised.

His erratic launch schedule displays his unpredictable behaviour, associated to his bipolar situation, in recent times: He additionally stated he can be issuing an album in 2018 referred to as Yandhi that is still unreleased.

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